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I'm essentially sharing intellectual ideas with my fans, seeing their reaction and then being inspired by that. It has a big influence on the music as well, because I find out a lot of different things.
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It sounds like it's really important to you to keep that connection going with your fans. So it's been really important to us to feel like we're extending some community. My favorite art, or whatever you want to call it, is art that makes you feel personally addressed. Whereas after dance music, there's kind of been this equilibrium that's come between artist and audience. You look at like the '70s, the messianic presence of the artist - it was very much about an audience gathering to watch this person happen on stage. And also, I'm in this kind of cyclical dialogue with my fans. You really do sound like a product of your generation in so many ways. And seeing as I've changed my idea on that, actually, let's just do loads of albums. But it was not paying testament to the fact that making music is why I get up, and it's what I do all day. Every writer wants a great ending, right? I don't know why I enjoy it so much, but I just like the whole kind of poetic idea of an end. One of the reasons that I wanted to end it after the third album is it's coming at the end of a decade, and suppose I was just being a bit of a drama queen. Is something changing?Ĭulture is changing rapidly. But now you're on your third and you're already talking about another one. You've said that rock bands, so to speak, have been around for too long - and that was a reason you planned to only release three albums. I think that's because I'm a product of this generation that isn't really interested in those ideas. You can probably tell by my records that I don't have much of a filter or a qualification process for what, stylistically, my records can sound like. I like it because it decreases tribalism and opens up music. Whereas now, it's a more homogenous set of circumstances. Because the answer most kids have is, "I don't care." Obviously, you walk down the King's Road in the '80s and you have all these subcultures but all incredibly defined. I think I'm probably at the tail end of the generation that cares about those kind of things. 30 via Polydor.Īre you OK with losing genres like that, and just being your own thing? The 1975's A Brief Inquiry into Online Relationships is out Nov. Some of the album's material was inspired by Healy's seven weeks in a rehab center in Barbados after touring The 1975's 2016 album, I like it when you sleep, for you are so beautiful yet so unaware of it. And while the band's past songs heavily reference drug use, A Brief Inquiry marks a definitive shift towards an honest dialogue about Healy making his way out of addiction. The 29-year-old musician maintains a tight-knit relationship with The 1975's fanbase - some of those fan interactions inspired the album's theme of digital communication. 30, builds on the Brexit and Trump-fueled rage and fascination with modern relationships presented in The 1975's first two albums, but Healy's recent experience with heroin addiction and rehab are the true focal point of the LP. A Brief Inquiry into Online Relationships, out Nov.
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As frontman for the Manchester band, Healy's approach to music has been full of conviction, transparency and a millennial wink. Matty Healy has long treated writing songs for The 1975 as his diary. Magdalena Wosinska/Courtesy of the artist I've got a bunch of questions," Matty Healy says. "To be honest with you, I don't have many answers.